Audioatlas
Describe the sound you need in plain English and search 153 million tracks — free on web and iOS.
AudioAtlas earns its place on the strength of two things: field operators you can chain — genre:cinematic bpm:80-100 mood:tense — and the Musical/Semantic toggle that separates reference-track similarity from written briefs. Add free web and iOS search across 153 million tracks and it beats keyword-only library search for anyone starting from a spoken or written brief. Competing discovery tools either lock results to their own catalog or lack the operator layer. The honest catch: it finds music, it doesn't license it, so sync clearance happens at whichever catalog the track belongs to. Genre, mood, and label operators match exactly rather than by synonym.
Verified 2d ago · liveness 65/100 · cite: rightaichoice.com/tools/audioatlas
- Music supervisors and sync professionals working from written briefs
- Video editors and filmmakers searching scene-specific cues by mood, tempo, and energy
- Advertising creatives who need an on-brand match before a client review
- Podcasters and YouTubers who can describe a vibe but not the genre label
- Anyone looking for a music creation, production, or DAW tool — AudioAtlas finds music, it doesn't make it
- Buyers who need licensing bundled into the search subscription itself
- Workflows that need offline or self-hosted music databases
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Skip AudioAtlas if you need music composed for you or licensed inside the same subscription — it finds and filters tracks, and clearance still happens with whichever catalog the track belongs to.
API pricing is quoted per use case and monthly volume, so your bill moves with how much you actually search rather than a flat seat fee.
Search itself is free on web and iOS, so a solo editor or YouTuber can work indefinitely without paying. The paid tier is API access, priced by use case and monthly volume arranged with the team — a fit for sync agencies, production houses, streaming platforms, and creative tools that need programmatic search. Volume-based pricing means a small shop pays proportionally less than a platform running continuous queries, but there is no published per-call rate to compare against competitors before
In short
Audioatlas — Describe the sound you need in plain English and search 153 million tracks — free on web and iOS. Best for Music supervisors and sync professionals working from written briefs, Video editors and filmmakers searching scene-specific cues by mood, tempo, and energy, Advertising creatives who need an on-brand match before a client review. Free to use.
What people actually say about Audioatlas — is it worth it?
We scanned public community sources for Audioatlas on Sep 29, 2026 and could not establish that the discussion we found is about this tool rather than something else sharing its name. Only 0 of the posts we fetched could be positively tied to Audioatlas. Rather than publish a sentiment score built on the wrong subject, we publish nothing here and re-run the scan.
Viability Score
How well maintained and how widely used is Audioatlas? Built from what the vendor actually publishes (docs, changelog, tutorials, integrations, pricing), whether the site is live, and how much real users discuss it. How we calculate this
Last calculated: October 2026
How we score →Key Features
- Natural language music search from plain-English descriptions
- Multi-modal AI understanding of style, instrumentation, and emotion
- Search across 153 million tracks from production, commercial, and independent catalogs
- Filter by genre, mood, energy, BPM, key, vocal type, duration, year, and catalog source
- Upload a reference audio file to find similar-sounding music
- Musical / Semantic toggle for similarity matching vs. descriptive briefs
- Field operators: title:, artist:, composer:, album:, isrc:, iswc:, ipi:, label:, genre:, mood:, bpm:, year:
- Range queries such as bpm:80-100 and bpm:>120
- lyrics: operator to find a song from a remembered line
- Named-entity lookup for artists, composers, exact titles, and ISRC codes
- Film and show soundtrack lookup with disambiguation popup
- Trending and recency keywords (trending, viral, hot right now, fresh this week)
- Show, hide, or restrict results to AI-generated music
- Playlist creation and export
- Web app and iOS app, available in eight languages
About Audioatlas
AudioAtlas is a natural language music search engine from MatchTune. Instead of scrolling tag pages in a production library, you type a brief — "uplifting cinematic with pounding drums," "dark synthwave at 120 BPM," "melancholic acoustic folk with female vocals" — and the search reads meaning across style, instrumentation, and emotion, then returns matches from 153 million tracks across production libraries, commercial catalogs, and independent publishers. Filters cover genre, mood, energy, BPM, key, vocal type, duration, year, catalog source, and AI-generated vs. human-made music. You can also drop in a reference audio file to hunt for similar-sounding tracks; a Musical/Semantic toggle switches between "sounds like" similarity matching and descriptive briefs. Named-entity lookup handles artists, composers, exact titles, ISRC and ISWC codes, plus film and show soundtracks with a disambiguation popup. Power users get field operators that chain with AND — title:, artist:, composer:, album:, isrc:, iswc:, ipi:, label:, genre:, mood:, bpm:, year:, and lyrics: for finding a song from a remembered line — with ranges like bpm:80-100 or bpm:>120. The interface runs in eight languages (English, French, Spanish, Italian, German, Portuguese, Turkish, Chinese), works as a web app and an iOS app, and search is free. Paid API access is arranged with the AudioAtlas team around your use case and expected volume, and there is also an MCP server so you can search the catalog inside Claude Code or Claude Desktop using your API key.
Behind the Verdict
AudioAtlas solves the problem that eats sync time: translating a director's sentence into a searchable query. The search box takes plain English and named entities — "songs by Hans Zimmer," an exact title, an ISRC, a film name that triggers a soundtrack disambiguation popup — and returns matches across 153 million tracks from production libraries, commercial catalogs, and independent publishers. The Musical/Semantic toggle matters more than it looks. Reference-track searches and mood briefs are genuinely different problems, and the tool treats them that way: upload a clip to find similar-sounding music, or write a brief and let semantic understanding read style, instrumentation, and emotion. Filters cover genre, mood, energy, BPM, key, vocal type, duration, year, catalog source, and AI-generated content, so you can hide AI music or restrict to it depending on what the client requires. Where it pulls ahead of generic library search is the operator layer: title:, artist:, composer:, album:, isrc:, iswc:, ipi:, label:, genre:, mood:, bpm:, year:, and lyrics: chain with AND, and ranges such as bpm:80-100 or bpm:>120 turn a vague idea into a structured query. Recipes like genre:cinematic bpm:80-100 mood:tense are things a keyword search cannot express. If you know only a writer's name loosely, ipi: returns their catalogue; if you remember one line, lyrics: finds the song. Trending and recency keywords narrow results to recent chart activity, and you can build and export playlists as you go. It is available on web and iOS in eight languages and search is free — no card wall to start narrowing a brief. The limits are real and worth stating plainly. AudioAtlas is discovery, not clearance: rights and pricing come from whichever catalog the track belongs to, so licensing sits outside the search. The catalog is finite at 153 million tracks — unindexed music won't surface. Field operators match exactly, so near-miss values return nothing; if you don't know the correct genre label or mood tag, the free-text box is the better tool. High-volume programmatic access is a paid API arranged directly with the team around your use case and expected monthly volume, with pricing that scales by usage — evaluation keys come by email after a short conversation, and once you're subscribed, cancelling runs your access to the end of the current billing period but the current month is non-refundable. There is also an MCP server: connect Claude Code or Claude Desktop and each tool call counts as one API request on your plan. For music supervisors, sync professionals, video editors, ad agencies, podcasters, and YouTubers who can describe a vibe but not the genre bin, it's the fastest route from sentence to shortlist.
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Real-world workflow fit
Concrete scenarios for the personas Audioatlas actually fits — and what changes day-one when you adopt it.
A director sends a two-line description of a chase scene. You open AudioAtlas, type the brief plus genre:cinematic bpm:80-100 mood:tense to narrow by operator fields, drop a reference clip into the similarity search to check both halves of the problem, and build a shortlist playlist.
Outcome: You arrive at a client review with a themed playlist instead of a folder of loosely related tracks, and each entry carries BPM, key, and mood in its metadata.
You know the episode needs something 'fresh this week' but you can't name the genre. You search in plain English, filter by duration and energy, hide AI-generated music because the client asked for human-made tracks, and preview the top results in the browser.
Outcome: You pick a cue in a few minutes without learning the library's tag taxonomy, and you keep a playlist of alternates for the next episode.
You contact the AudioAtlas team with your endpoints and expected monthly volume, get an evaluation key by email, wire it into the X-API-Key header, and call the search endpoint with a plain-language query. Later you connect the MCP server so Claude can search the catalog inside your own workflow.
Outcome: Natural-language and reference-track search sit inside your product, backed by rich track metadata and an SLA, with volume-based pricing you agreed with the team upfront.
Use Cases
- Describe a brief like 'upbeat pop for a travel commercial' and get instant matches
- Upload a reference track to find similar-sounding music for a sync placement
- Search 'melancholic acoustic folk with female vocals' for a film scene
- Filter by BPM and key to find a dark synthwave track at 120 BPM
- Pull a writer's full catalogue with ipi: when you only know the name loosely
- Use the API to put natural-language music search inside a video editing or creative tool
- Submit a label or publisher catalog for semantic indexing and buyer discovery
- Hide AI-generated music when a client requires fully human-made tracks
Limitations
- AudioAtlas is a discovery and filtering tool, not a licensing desk: when you find a track, rights and pricing come from the catalog it belongs to, so sync clearance happens outside the search.
- The catalog is finite at 153 million tracks, so if a piece is not indexed it will not surface.
- Genre, mood, and label operators match exactly rather than by synonym, which rewards precise field values and punishes near-misses.
- High-volume programmatic access is arranged with the AudioAtlas team around your use case and expected monthly volume rather than through a self-serve checkout, so evaluation keys come by email after a short conversation.
- Worth knowing before you push volume: cancelling stops future renewals but API access runs only to the end of the current billing period, and the current month is non-refundable.
as of 2026-10-15
Verification history
We have re-verified Audioatlas 9 times since . Each pass re-reads the vendor's own pages and re-checks every listed field against that evidence; passes where nothing had changed are marked as such.
- — re-verified summary, description, our verdict, our analysis, pricing model, pricing tiers, features, integrations, who it suits, who should skip it
- — re-verified summary, description, our verdict, our analysis, pricing model, pricing tiers, features, integrations, who it suits, who should skip it
- — re-verified summary, description, our verdict, our analysis, pricing model, pricing tiers, features, integrations, who it suits, who should skip it
- — re-verified summary, description, our verdict, our analysis, pricing model, pricing tiers, features, integrations, who it suits, who should skip it
- — re-checked, vendor evidence unchanged
- — re-checked, vendor evidence unchanged
Showing the 6 most recent of 9 verification passes.
Free to cite with attribution — this page re-verifies continuously.
12-month cost
Project the real annual outlay, including the implied monthly cost when only an annual tier is published.
Vendor list price only. Add-on usage, seat overages, and contract minimums are surfaced under Hidden costs & gotchas.
Plans compared
For each published Audioatlas tier: who it actually fits, and what it adds vs. the previous tier. Cross-reference the cost calculator above for projected annual outlay.
Free
$0/mo
Ideal for
Solo editors, YouTubers, podcasters, and music supervisors who search manually and want to try a brief-based workflow without paying.
What this tier adds
Free entry point: full natural-language search on web and iOS across 153 million tracks, all filters, reference-track upload, and playlist creation.
API
Custom
Ideal for
Music supervisors, sync agencies, production houses, streaming platforms, and creative tools that need programmatic search with SLAs and volume pricing.
What this tier adds
Adds natural-language and reference-track search endpoints plus rich track metadata (BPM, key, mood, genre, vocal detection, ISRC, ISWC), with pricing arranged around your use case and monthly volume.
Where the pricing makes sense
The company stage and team size where Audioatlas's pricing actually pencils out — and where peers do it cheaper.
Search itself is free on web and iOS, so a solo editor or YouTuber can work indefinitely without paying. The paid tier is API access, priced by use case and monthly volume arranged with the team — a fit for sync agencies, production houses, streaming platforms, and creative tools that need programmatic search. Volume-based pricing means a small shop pays proportionally less than a platform running continuous queries, but there is no published per-call rate to compare against competitors before
Setup time & first value
How long it actually takes to get something useful out of Audioatlas — broken out by persona, not the marketing-page minute.
On the free web or iOS app you type a query and have results in seconds — no account required to start searching. Bulk buyers who submit a catalog wait on indexing once they send a track list with ISRC and preview URLs. API users get an evaluation key by email after a short conversation about use case and expected volume; once the key is in hand, the X-API-Key header gets you to a first response
Switching to or from Audioatlas
How to bring data in from common predecessors and how to get it back out — written for the switcher, not the buyer.
- →From keyword tag libraries: paste your brief into the free-text box instead of navigating tag trees, then add operator fields once you know the exact genre and mood values.
- →From reference-track-only tools: keep uploading clips but switch to Semantic mode for written briefs, since AudioAtlas treats similarity and description as separate problems.
- →From manual soundtrack hunting: search by film or show name and use the disambiguation popup instead of tracking down the score release yourself.
- ↗To a licensed production library: use AudioAtlas to find the track, then clear rights and pricing with the catalog it belongs to.
- ↗To a DAW or music production tool: if you decide to compose rather than license, AudioAtlas does not make music and nothing carries over.
Integrations
Resources & Guides
Tutorials & Learning
YouTube returned 6 videos for “Audioatlas”, and we withheld 6: 6 could not be judged, because “Audioatlas” is a single word that other videos use for other things. We are showing none, because we could not prove any of them are about Audioatlas.
Official links
Tools that pair well with Audioatlas
Common stack mates teams adopt alongside Audioatlas, with the specific reason each pairing earns its keep.
Epidemic Sound
Epidemic Sound licenses 55,000+ royalty-free tracks and 250,000+ sound effects for video that has to stay monetizable.
Splice
Splice is a royalty-free sample library with rent-to-own plugins and the Splice INSTRUMENT virtual instrument for music producers.
LANDR
LANDR bundles AI mastering, unlimited music distribution, 3M+ royalty-free samples, and 70+ plugins into one subscription for independent
Featured Head-to-Head Comparisons
Audioatlas vs Landr Mastering
LANDR Mastering and Audioatlas solve completely different problems. Choose LANDR if you need AI-powered audio mastering for your own tracks, especially with stem mastering now available on Studio Pro. Choose Audioatlas if you need to search for existing music using natural language. They are not direct competitors.
Audioatlas vs Splice
Choose Splice if you're a music producer who needs royalty-free samples and wants to rent-to-own premium plugins like Serum 2. Choose Audioatlas if you're a music supervisor or content creator who needs to find specific tracks quickly by describing them naturally, without worrying about licensing included. They serve completely different workflows.
Audioatlas vs Storyfile
StoryFile and Audioatlas serve entirely different needs. Choose StoryFile if you want an authentic, emotionally-resonant conversational AI avatar for museums, legacy preservation, or high-profile digital twins — its real-video approach has been validated by clients like CNN and the National WWII Museum. Choose Audioatlas if you need to find the perfect music track by describing it naturally, reducing hours of search to seconds for sync licensing and content creation. There's no direct overlap; pick the tool that matches your content type.
Alternatives to Audioatlas
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Epidemic Sound
Epidemic Sound licenses 55,000+ royalty-free tracks and 250,000+ sound effects for video that has to stay monetizable.
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